- Death race 2000 about this problem of violence driver#
- Death race 2000 about this problem of violence tv#
Gun Violence by Stateīased on the number of gun deaths per capita in 2019 alone, states with the most gun violence are: As of 2019, an estimated52 women are killed in instances of gun violence during domestic violence confrontations. It is far more likely that a woman will be the victim of gun violence in an abusive household, and it is equally as likely that the perpetrator of the violence is a male partner, ex-partner, or relative of the victim. On top of racial biases, another problem that comes into play when looking at American gun violence is that many victims are attacked during disputes related to domestic violence instances. It is fifteen times more likely that a Black male will be the victim of a gun-related violent attack than their white, Hispanic, Indian, Asian, and other counterparts. An unfortunate and backward truth in the United States is that young, Black males are the most likely people to experience gun violence.
Race is significant when looking into the victims and perpetrators of gun violence in America, both on a state-by-state basis and nationwide. On the topic of gun-related injuries, many gun violence cases involve serious assault even though homicides are not the outcome. And these values only account for situations where violence was an intention in the minds of those who committed firearm-related violence. There are about 100,120 people injured by gun violence in America every year. Whether they be the perpetrators or the victims, the majority of people involved in gun violence do not leave the scene unscathed. However, the outcome is usually some form of an injury or another.
Death race 2000 about this problem of violence tv#
President says it was the French who knocked off Nero and Matilda.” Frankenstein: “Watch out for the Crepe Suzettes.” The TV announcer Junior comments on the air: “Well America, there you have it, Frankenstein has just been attacked by the French Air Force and he’s whipped their derrieres!” It was that kind of a movie.As we mentioned, gun violence does not always end in deaths. Which brings about this slice of tangy dialogue.
Death race 2000 about this problem of violence driver#
The racers include three-time legendary champion Frankenstein (David Carradine), rebuilt after yet another crash and garbed in black leather, a cape, and a mask, and his attractive navigator Annie Smith (Simone Griffeth), a spy from a revolutionary group sabotaging the race so it can be abolished a meathead Chicago gangster named Machine Gun Joe Viterbo (Sylvester Stallone) and his sexy navigator Myra (Louisa Moritz) Warhol’s Chelsea girl Mary Woronov as Calamity Jane, the cowgirl driver of a car with bull horns protruding Matilda the Hun (Roberta Collins) as a Nazi representing the Master Race and Nero the Hero (Martin Kove), a gay Roman gladiator driver who is an early victim of the sabotaging rebels as he tries to run over a baby but is lured into going over an IED.īesides all the inane Roadrunner gags, there’s a note of political prophesy that surprisingly rings through today that has the rebels being falsely called French. It begins in Manhattan and ends in New Los Angeles, as there are I think five racers who compete not just to be first across the finish line, but to earn points by killing pedestrians in their path. The evil President of the United States, who resides in his summer palace in Peking, endorses the 20th annual Trans-Continental Road Race as one that his fellow Americans cherish as their national sport because of its brutality. It’s set in the future, in the year 2000, and plays on national TV with a smarmy unreal over enthusiastic Howard Cosell-like announcer (Don Steele) calling the race but it recalls the ancient past, where the Christians were thrown to the lions in the Roman’s Circus Maximus. It was intended as a low-budget B-film challenge to the big-budgeted Hollywood spectacle of Rollerball, but its problem is that it’s never really funny (loaded with juvenile gags), its car wrecks lack imagination and the car rivalry between David Carradine and a pre-Rocky Sylvester Stallone never amounts to anything. It’s based on a story by Ib Melchior and written by Robert Thom and Charles Griffith. Paul Bartel (“Eating Raoul”/”Private Parts”/”Scenes From The Class Struggle In Beverly Hills) grossly directs this unwatchable car wreck of an exploitation film. It’s filled with cartoonish violence, campy action scenes, sleazy nudity, explosions galore and dumb sight gags. (director: Paul Bartel screenwriters: Robert Thorn/Charles Griffith/novel by Ib Melchior cast: David Carradine (Frankenstein), Louisa Moritz (Myra, Mary Woronov (Calamity Jane): Runtime 78 mpaa rating R New World Pictures 1975)Ī vulgar no holds barred Roger Corman fantasy parody film about America’s love affair with violence through its sporting events.
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